This lists any discs, concerts or collections where this piece is included.

Other than the alto2 section needing to read bass clef, the choir found these scores easy to use. We invested in the choral scores and orchestral scores and parts by Carus Verlag to avoid the pitfalls of trying to put multiple versions together, as there are often slight differences in the roadmap and pitches that can really derail a rehearsal. The orchestra’s bass line amply covers the range needed to support the sound of the voices and strings. The voicing being greatly condensed with two parts up the octave make for beautiful intensity of suspensions and resolutions. This distribution of voices makes for a brilliant sound, the principal difference being that the tenor line frequently crosses above the soprano line such that new “melodies” emerge. Elektra performs from SATB scores, with the four parts covered as follows: sop1 sings tenor line up one octave, sop2 sings soprano line as written, alto1 sings alto line as written, alto 2 sings bass line up one octave. Soli SSA, Coro SATB, Ob, Tr, 2 Vl, Va, Bc. Puccini – Madame Butterfly (One Fine Day) Delibes – Flower Duet (Lakme) Hayden – Andante from Trumpet Concerto.RV 589. Puccini – Senza Mamma from Suor Angelica. 3 (Lent) Vivaldi – Gloria in Excelsis Deo. Jennifer Bruce on TWO NEW BOOKS COMING: ENDEAVOU…Īrchives Archives Morse Theme Lewis Theme Satie – Gnossienne No.

Nikoletta Sobkowski on TWO NEW BOOKS COMING: ENDEAVOU… Twistsmom on TWO NEW BOOKS COMING: ENDEAVOU…īea Lou on TWO NEW BOOKS COMING: ENDEAVOU… Lawrence Kingsley on Endeavour: Series 4, Episode 4… Sheldon Sturged on TWO NEW BOOKS COMING: ENDEAVOU… Follow Morse, Lewis and Endeavour on Ĭhristine McKay on TWO NEW BOOKS COMING: ENDEAVOU…

Vivaldi gloria rv589